Friday, August 12, 2011

NEWS: Vuzh Music reissues "Fall" by The Unseelie Court

The Unseelie Court - Fall
The Unseelie Court - Fall
Originally released on cassette in 1995.

Long out of print postal collaboration between C. Reider and Terry Burke.

Now available for free download here.

http://www.vuzhmusic.com/releases/unseelie.html

Thursday, August 11, 2011

REVIEW: ANIXAS Outer Space Located In Debris Field, 2011


ANIXAS
Outer Space Located In Debris Field
EP - Jamendo download, 2011http://www.jamendo.com/en/album/96196
Repeat of the 3P. Weird ambience, screaming, reverbed to hell, sounds like the soundtrack to an old martian film, you know the one. "Large Cargo Ship" features a nice pile of samples and synthesizer splats and filters. "Search For Life Forms" is a a sparse take on robotic vocoder sounds. If this is a concept album, then we take this track as literally being a search for lifeforms. "Feeling Isolated On The Ship" is very similar, albeit with more bass in the vocoder.
Ian C Stewart

INTERVIEW: Dino DiMuro interviewed by Russ Stedman

Dino DiMuro
Dino DiMuro

AUTOreverse #14, Summer 2011
DINO DiMURO INTERVIEW
Questions by Russ Stedman

Do you remember the first record you bought?
Very hard to say.  For singles, it could have been PINBALL WIZARD by the Who, or CRIMSON AND CLOVER by Tommy James and the Shondells.  Albums, it was probably GOD BLESS TINY TIM or the soundtrack to BONNIE AND CLYDE.  And I'd still buy those records.  Maybe not HAIR, though.

What bands from childhood have you NOT outgrown?
Probably the Beatles, Beach Boys, Captain Beefheart and Frank Zappa. Jimi Hendrix, the Who, and Black Sabbath are still great but I played them way too much.  Jethro Tull and Deep Purple, I feel kind of silly now that I was SO into them.

Wednesday, August 10, 2011

INTERVIEW with Mike Textbeak

Textbeak
Textbeak
AUTOreverse #14, Summer 2011
TEXTBEAK
interview by
Ian C Stewart

Is there anything you're feeling particularly mouthy about at the moment?
there is a music in the roosts, from deadly war teams of the wildlife colony tubes. Shy is the Wildlife of conflicting del fuegos and the orthodox Soul Nets of recent mystery. in a worship, Nations existed in dinosaur cries of hades.

NEWS: Russ Stedman goes to Bandcamp with "Rat​-​House & Homie​-​Cone"

Russ Stedman - Rat​-​House & Homie​-​Cone, 2011
Rat​-​House & Homie​-​Cone, 2011


Join Russ Stedman at bandcamp for the rest of the summer.
Admission is only five dollars, and it includes this hot new compilation of Stedmusik.
http://russstedman.bandcamp.com/

Sunday, August 7, 2011

REVIEW: Distant Trains - Congratulations On Your Suicide CD, 2010

Distant Trains - Congratulations On Your Suicide CD, 2010
Distant Trains - Congratulations On Your Suicide CD, 2010

DISTANT TRAINS
Congratulations On Your Suicide
CD, 2010http://www.sleeponthefloor.com/releases/016/016.htm
Distorted bass guitar with clean drum programming and wandering keys on top. Plus vocal. "Take Care" is like a doom metal version of Soul Whirling Somewhere. And the bursts of bluesy guitar, I should not be enjoying this. The production can be summed up in two words: clean scuzz. Just like the early work of one of my favorite bands, Idaho. "Desert" is probably more like Queens Of The Stone Age, maybe? I enjoy the distorto-bass guitar-forward songwriting, vocals waaaaay off over there in the semi-background. The elements are familiar, but the picture is still pretty.
Ian C Stewart

REVIEWS: Bat Lenny - "Shadowland" and "The Atomic Toybox" CDs

Bat Lenny - Shadowland CD, 2008
Bat Lenny - Shadowland CD, 2008

BAT LENNY
Shadowland EP
CD, 2008
http://batlenny.com
Progressive pop that is equal parts Yes and XTC, and no, I don't just mean ELO. In days of old, the "Shadowland" suite would merely have been known as side four of the new LP, a 17-minute theme in 5 parts. Bat Lenny is the King Crimson of the underground.
Ian C Stewart

Bat Lenny - The Atomic Toybox CD, 2009
Bat Lenny - The Atomic Toybox CD, 2009
BAT LENNY
The Atomic Toybox
CD, 2009
Massive prog-pop a la Mike Kenneally. I really enjoyed this one. "Gravity" opens with a single synthesizer note being filtered, kind of like any old song by the Human League. The song starts with a minimial drum beat, which is vamped on and reacted to by the other instruments, gradually building up into a groove like the Police. Primus meets E.L.O. This album is Marillionesque (I guess, Genesisesque would make more sense) in its scope. Repeated listenings required and rewarded.
Ian C Stewart